According come Greek mythology, an oread is a nymph, a free-spirited wild woman who wanders happily with the woods, hills, and also mountains. She symbolizes the fervor of life, the elan critical or an essential life-force the imbues life. As such, she is suitable for the heart of this city which is about the freewheeling wildness the nature. The persona in the city (the human speaking in ~ the poem) can be one oread herself because she addresses the sea together though she's top top a first-name basis through it, in communion with it. "Whirl up, sea", she says, as though it will respond to her command. Words "oread" is acquired from the Greek native "oros" an interpretation "mountain" (the oread is generally a mountain spirit) which, in turn, is acquired from the Latin indigenous "oriri" an interpretation "to rise up" (a mountain is something that has risen up). The definition "rise up" is important since the human in the city (perhaps the oread herself) is calling top top the trees and also sea to "rise up" and express your vigour and vitality : "Whirl up, sea - - /whirl her pointed pines . . ./hurl your environment-friendly over us . . . ."

The poem's main image is faint since, as soon as she addresses the "sea" it's not details whether she way the sea of water or the sea of pine trees. It could be either. A woodland of pines looks choose a sea throughout a storm once the wind blows the tree this means and that, and also their sharp, pointed top look choose cresting waves, and also the multitude of swaying eco-friendly branches prefer a green turbulent sea. As soon as she asks the sea to "splash your an excellent pines/on our rocks" it can refer to the tree branches damaged off throughout a storm and crashing come the planet below. Similarly, a sea the water can look prefer a jaw forest during a storm (the wavecrests prefer pine-tops), for this reason the image works both ways.

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This poem is a call-to-arms, questioning the pressures of nature to "whirl", "hurl", and also "splash" us v their "pointed" weapons. Yet the intention is no to destroy us, but rather to arouse united state to life. The persona seems, at one point, to determine with the "rocks" as soon as she says, "splash your an excellent pines/ on ours rocks." If she is favor a rock, then she would be a lifeless, unmoving object. In the case, she can not be an oread however perhaps just a being who secretly longs to be an oread. In asking the pines to splash her, she desires to be awakened, brought earlier to life (back to her true oread nature) by the green life-energy the the trees and also sea. She want the point out of the pines come pierce her, so that her innermost being can experience the freshness and force of nature. She desires the "green" to "hurl" itself end her, therefore she can be overwhelmed and captivated through its beauty and liveliness. She go not desire to be a bystander. She wants to it is in covered and submerged in nature.

"Green" is an essential colour here since it is the color of chlorophyll i m sorry is the essential aspect of plant-life and also therefore that life itself. A pine tree tree, through its stubborn branches and sharp needles, is fierce with life, and also thus ideal to this poem. Through their bristling needles, pine trees look electrified. The persona wants to feel their electricity. She wants to endure the greatness of this "great pines."

The sounds in the poem make you feel you are in the middle of a storm. You can hear the wind roaring in the "ir" sound of "whirl", "hurl", "cover", "over", and "fir". You have the right to hear the explosive pressure of the storm in the plosive consonants of "pointed", "pines", "pools", and "splash". It sounds as though the water and wind at very first meet resistance indigenous the rocks and also trees, yet then pierce through. Numerous words space onomatopoeic in the poem, for this reason imitating the sound that the storm. "Whirl" starts with a yielding consonant imitating the uninhibited fury of the storm. The yielding "s" in "sea" conveys the very same effect. In "splash" you can hear the tide at an initial rolling in uninhibitedly in the "s" sound, and also then conference the resistance of the shore in the "p" sound, but finally breaking through and lashing out in the "sh" sound. The sound of the foam or probably the sound the the rain is echoed in the "s" sound at the finish of "pines", "rocks", "us", and also "pools". If the persona feels choose a rock, she must feel confined since "rock" (in that is singular form) pertains to an abrupt stop with its hard "k" sound favor the sheet of a rock. Friend can additionally hear the cry the life in the assonance that "green" and also "sea." The lengthy "ee" vowel sounds like life, aroused by the storm, is screaming out to proclaim its existence. The assonance, consonance, and onomatopoeia thus dramatize the sound of the waves, the wind, and also the life cry that nature.

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The length of the present is mimetic too. You can imagine every line come be favor a different wave crashing upon the shore, v the very first and 4th lines being shorter waves. Or you could imagine each line gift a wavecrest, some higher, some lower. The unevenness that the currently could also imitate the erratic rage of the storm, blowing points helter-skelter. It's appropriate that the last heat is the longest due to the fact that it "cover(s) us with your pools of fir", leaving you totally covered and overwhelmed.